Personal Volcano. Nightboat, 2019.
Verne & Lemurian Objects. Mindmade Books, 2017.
Who That Divines. Nightboat, 2014.
The Fugitive Notebook. Couch Press, 2014.
A Tonalist. Nightboat, 2010.
Ladybug Laws. Slack Buddha Press, 2009.
An Air Force. Hooke Press, 2007.
A Semblance: Selected and New Poems, 1975 - 2007. Omnidawn Publishing, 2007.
Ultravioleta. Atelos, 2006.
The Various Presents: The Frankenstein Franchise. (with Alan Halsey). A Gargoyle Edition, 2005.
Self-Destruction. Post-Apollo Press, 2004.
Nude Memoir. Krupskaya, 2000.
Cunning. Spuyten Duyvil, 1999.
The Case. O Books, 1998.
Spicer's City. Poetry New York, 1998.
Symmetry. Avec Books, 1996.
L'archiviste. Zasterle Press, 1991.
Rondeaux. Roof Books, 1990.
like roads. Kelsey St. Press, 1990.
Duse. Coincidence Press, 1987. (reprint: Paradigm Press, 2000)
Life on a Red Field. Jimmy and Lucy’s House of “K”, 1984.
Persia. Chance Additions, 1983.
Two Cross Seizings. Sombre Reptiles, 1980.
Escape from Veils. [a collaborative printing project with Loree Anderson], 1976.
A Tonalist Notes, Albany, CA, 2011-12
Ultravioleta Docs, Albany, CA, 2007-09
non, Albany, CA, 1997-98
Color : a sampling of contemporary African American writers, VHS Video, Poetry Center and American Poetry Archives, San Francisco State University, San Francisco, CA, 1994
Palabra : a sampling of contemporary Latino writers, VHS Video, The Poetry Center and American Poetry Archives, San Francisco State University, San Francisco, CA, 1993
The American Poetry Archives videotape catalogue 1974-1990, Poetry Center, San Francisco State University, San Francisco, CA, 1991
Women working in literature, VHS Video, The Poetry Center and American Poetry Archives, San Francisco State University, San Francisco, CA, 1991
Posit 32, January 2023, text+image from Which Walks: “Which Walk 0”, “Which Walk 5”, “Which Walk 6”, “Which Walk 7” “symmetry”
three fold issue no. one, fall 2020, “from Nondeath Diary”
The Brooklyn Rail, April 2020, “Resolved”
Hambone 22, 2019, “A Martian,” “Love’s Mind,” “Crystal Skull,” “Which Walk #1”
Elderly 29, May 2019, “Coven Invocation,” “Coven Minutes,” “The Reptiles and I,” “Which Walk #2,” “Which Walk #3,” “Which Walk #4”
Litscapes: Collected US Writings 2015, edited by Caitlin M. Alvarez and Kass Fleisher, Steerage Press, Normal, IL, 2015, from “Volcanik”
Readings in Contemporary Poetry: Dia Art Foundation, edited by Vincent Katz, New York City, NY, 2013, “Stay with Me”
Postmodern American Poetry: A Norton Anthology, edited by Paul Hoover, New York, NY, 2013, “from Spectrum’s Rhetoric”
The Feralist, 2013, “Two Modes”
The Arcadia Project, edited by Joshua Corey and G.C. Waldrep, Ahsahta press, Boise, Idaho, 2012, “Plumas”
Hambone 20, Durham, NC, 2012, "Who That Divines", "Age of Prophecy"
Try, Oakland, CA 2011, “Palm Sunday’s”
Aufgabe 9, Berkeley, CA, 2010, Poems and essay by LM
ON: Contemporary Practice 2, Victoria, TX, 2010, "Conceptualisms Diary"
American Hybrid : a Norton anthology of new poetry, edited by Cole Swensen and David St. John, Norton, New York, NY, 2009, “from Nude Memoir”, “Laura de Sade”, “Spicer’s City”
Try, 2009, “Angry Ladybug”
The Nation, New York, NY, 2009, “Ghost Poem”
Van Gogh’s Ear 6, New York, NY, 2009, “Clotho and the Golden Remote”, “Green”
Vanitas 3, New York, NY, 2008, "Stays With Me"
580 Split 10, Oakland, CA, 2008, "Ladybug Story"
Viz. Inter-Arts Santa Cruz, CA, 2007, "The Targets"
Bay Poetics, edited by Stephanie Young, 2006, Faux Press, Cambridge, MA
Antologie de poezie Americană contemporană, edited by Locul Nimanui, Cartea București, Romania, 2006, “Laura de Sade”, translated by Adrian Sângeorzan
Both Both, edited by John Sakkis, 2006
Vanitas 2, New York, NY, 2006, “Two Poems”
War and Peace 2, edited by Leslie Scalapino and Judith Goldman, O Books, Oakland, CA, 2005, from “Departures 1-11/ War in Heaven”
New Yipes Reader 3, edited by Norma Cole, 2005
Chain 12, Philadelphia, PA, 2005, "Malakoff"
The Addison Street Anthology, edited by Robert Hass and Jessica Fisher, Heyday Books, Berkeley, CA, 2004, “The Beautiful House”
Commonweal 5, edited by Brandon Brown, San Francisco, CA, 2004, “from A Tonalist, 6. A Reader”
First Intensity 19, edited by Lee Chapman, First Intensity Press, Lawrence, KS, 2003, “First Song”, “First Entry”, “First Dream”, “Fate/ Song Form”, “Place”, “No Date”, “The Second You”, “My Scream”
Sal Mimeo 5, New York, NY, 2004, “from A Tonalist”
Open Letter 4, The Open Letter, 2002, “Sol justitiae”
Poetry For Dummies, by The Poetry Center and John Timpane with Maureen Watts, Hungry Minds, Inc., New York, NY, 2001
Conjunctions 35, New York, NY, 2000
Kenning 9, Duration Press, Buffalo, NY, 2000-2001, “from Self-Destruction”
Hambone 15, Durham, NC, 2000, "from Nude Memoir"
RE*MAP 7, Culver City, CA, 2000, "from Nude Memoir"
Blood and Tears: Commemorative Poems for Matthew Shepard, edited by Scott Gibson, Painted Leaf Press, New York, NY, 1999, “from Nude Memoir”
Mirage 4, San Francisco, CA, 1999, “from Nude Memoir”
Outlet 3, Berkeley, CA, 1999, “from Nude Memoir”
Nerter : una revista dedicada a la literatura, el arte y el conocimiento 1, La Laguna [Santa Cruz de Tenerife], 1999, “De unos apuntes sobre la simetría como procedimiento”
Proliferation 5, San Francisco, CA 1998/1999
Moving Borders: Three Decades of Innovative Writing by Women, edited by Mary Margaret Sloan, Talisman House, Jersey City, NJ, 1998, “Winds of Mars”, “Translation”, “Translations”, “with curled horns”, “from The Modern Tower: Florence”, “Laura de Sade”, “In your robe”, “Feast of the Annunciation”, “Caprice”, “That Explode Together”, “What is Said”, “what is claimed”, “The Paradise of Dainty Devices”, “The Large Glass”
Re*map 6, Santa Monica, CA, 1998, “from Ghost Atlas”
Shark 1, Emeryville, CA, 1998, "Simultaneous Journal"
An Avec Sampler, edited by Cydney Chadwick, Avec Books, Penngrove, CA, 1997, from “The Case”
Ribot 5 , Los Angeles, CA, 1997, "from Ghost Atlas"
Primary Trouble: An Anthology of Contemporary American Poetry, edited by Leonard Schwartz, Joseph Donahue, and Edward Foster, Talisman House, Jersey City, NJ, 1996, “Rondeaux” “Laura de Sade”
Exact Change Yearbook no.1, edited by Peter Gizzi, Exact Change, Boston, MA, 1995, “The Case”
avec V10, Penngrove, CA, 1995, “from The Case”
Abacus 91, Elmwood, CT, 1995, “from The Case”
Arshille 4, Los Angeles, CA, 1995, "Light", "By and By"
The Art of Practice, edited by Dennis Barone and Peter Ganick, Potes & Poets Press, Elmwood, CT, 1994, “ The garden”, “La Ruota”, “What is said”, “untitled [what is claimed]”, “Miniature”, “We see”, “Song”, “Physics”, “We were”, “untitled [The meter running]”
Chain 1, Buffalo, NY, 1994, “Triumph”
avec V7N1, Penngrove, CA, 1994, "from Forever"
avec V8N1, Penngrove, CA, 1994, "from Symmetry"
Subliminal Time, edited by Leslie Scalapino, O Books, Oakland, CA, 1993, “from Cunning: Ned Bright, Geographical Memoir, High and Dry”
O Three/War, Edited by Leslie Scalapino, O Books, Oakland, CA, 1992
HOW(ever) 6, San Francisco, CA, 1992, “High and Dry”, “Dominion”
Writing 28, Vancouver, B.C., Canada, 1992, “from The Midnight Men”
avec V5N1, Penngrove, CA, 1992, “from The Midnight Man”, “from Symmetry”
Raddle Moon 11, Ontario, Canada, 1992, “Art & Science”, “Golgonooza”
What is the inside, what is the outside, Edited by Leslie Scalapino, O Books, Oakland, CA, 1991, “Spicer’s City”
49+1: Nouveaux Poètes Américains, edited by Emmanuel Hocquard and Claude Royet-Journoud, Royaumont, France 1991, “La Tour Moderne”, “Six Histoires”, translated by François de Laroque
Generator 5, 1991, “from Symmetry”
Hot Bird MFG, V1N20, 1991, “from Symmetry”
Black Warrior Review V18N1, Tuscaloosa, AL, 1991, "from Symmetry"
avec V4N1, Penngrove, CA, 1991, "from Laura"
The Best American Poetry 1990, edited by Jorie Graham and David Lehman, Scribners, New York, NY, 1990, “La Malinche”
Abacus 47, Elmwood, CT, 1990, “the goddess”
Talisman 4, Hoboken, NJ, 1990, "Normandie"
Elsewhere Poetics Journal Number 8, Berkeley, CA, 1989
Archive Newsletter, edited by John Granger, 1988
Conjunctions 12, New York, NY, 1988, “Four Poems”
Ink V2n1, San Francisco, CA, 1988, “The Midnight Man”
Chumolungma Globe, Oakland, CA 1987
Everyday Life 1, Detroit, MI, 1987, “from Small Cities: [Naked still on the second day], [Last winter in Florence]”
Ottotole 2, New York, NY, 1987, "The Modern Tower"
North Beach Review 1, San Francisco, CA, 1986, “How Idols are Made to Move and Talk”, “L’Amour Fou (Translation)”, “untitled [I fall into the negative ecstasy of the radio]”, “As For the Radio’s Object”, “Translation [We say flax]”, “Translation [Translation was used in the story as a means of travel.”
Hambone 6, Santa Cruz, CA, 1986, "Fat Tuesday"
Conjunctions 9, New York, NY, 1986, "Four Rondeaux"
boundary 2 Vol. 14, No. 1/2, Duke University Press, Autumn, 1985 - Winter, 1986, “Three Poems: La Quinta del Sordo”
Tramen 4, San Francisco, CA 1985, “The Seguidilla”
HOW(ever) 2, San Francisco, CA, 1984
Vanishing Cab 6, San Francisco, CA, 1984, “Like Roads”
Tramen 2, San Francisco, CA, 1984, “shrines breaking down”
Vanishing Cab 5, San Francisco, CA, 1982, “Six Histories”, “Persia”
Vanishing Cab 2, San Francisco, CA, 1977, “Watching it Burn”
Making The Park, Kelsey St. Press, Berkeley, CA, 1976
Berkeley Poets Cooperative 8, Berkeley, CA, 1974, “Competitor”, “Widow’s Lament”, “EVENT POEMS”
Berkeley Poets Cooperative 7, Berkeley, CA, 1974, “Coldsnap,” “The Ropeswinger,” “Contact”
Nevermind 1, edited by Melinda Barry and Ingrid Swanberg, Nevermind Press, Sacramento, CA, 1973, “A Consideration of The Anima Figure in the Work of Bob Dylan”
“‘Light’ in Keith Waldrop’s Light While There Is Light: An American History”, in A Forest on Many Stems: Essays on the Poet’s Novel, edited by Laynie Browne, New York, NY, Nightboat Books, 2021
“Refuge,” in Quo Anima: innovation and spirituality in contemporary women’s poetry, edited by Jennifer Phelps and Elizabeth Robinson, The University of Akron Press, Akron, OH, 2019
“Co-eternal Beam: Norma Cole’s Art,” Online at Poetry Foundation, 2015.
“Notes toward an ecology of time,” The Disinhibitor, 25 Feb 2013
"The Writing Practice Formerly Known As," in I'll Drown My Book: Conceptual Writing by Women, edited by Caroline Bergvall, Les Figues Press, Los Angeles, CA, 2012
“Late Summer Memorial for Leslie Scalapino, August 26, 2011,” A Tonalist Notes, Albany, CA, 2011
“post moot movement,” May 1, 2010, A Tonalist Notes, Albany, CA 2010
"Conceptualisms Diary," in ON: Contemporary Practice 2, Victoria, TX, 2010
“Outlaws, Lone Wolves, and Made Poets,” in ZYZZYVA V24N2, San Francisco, CA 2008
“Citation,” in Lipstick Eleven Number Three, Berkeley, CA, 2004
“Incidents of Time Travel,” in Biting the Error: Writers Explore Narrative, edited by Mary Burger, Robert Glück, Camille Roy, Gail Scott, Coach House Books, Toronto, Ontario, Canada, 2004
“Poetics of Distribution,” in 26, edited by Avery E. D. Burns, Rusty Morrison, Joseph Noble, Elizabeth Robinson, Brian Strang, Berkeley, CA, 2003
“The Writing Being,” in The Grand Permission: New Writings on Poetics and Motherhood, edited by Patricia Dienstfrey and Brenda Hillman, Wesleyan University Press, Middletown, CT, 2003
“Ordinary Disaster,” in A Wild Salience: The Writing of Rae Armantrout, edited by Tom Beckett, Burning Press, Cleveland, OH, 1999
“Headache,” in non 3, Albany, CA, June 1998
“The Sublime (Assertions),” “on Ode by Ilya Kutik, translated by Kit Robinson,” in non 2, Albany, CA, February 1998
“An Open Letter to President Corrigan,” in tripwire: a journal of poetics 1, San Francisco, CA, 1998
“Emptiness: Notes,” in non 1, Albany, CA, 1997
“Notes on Symmetry as a Procedure,” in Chain 4, Honolulu, HI, 1997
“The Western Borders by Susan Howe,” Jimmy & Lucy's House of "K" #6, 1986
“On Carla Harryman’s ‘Sublimation’” Jimmy & Lucy’s House of “K” #2, 1984
“The Poetry I Felt Was Walking: Brett Goodroad and Laura Moriarty in Conversation,” The Back Room 4.18.2023
“Reading the Writing “I”: Intertextual Subjectivity and Textual Intersubjectivity in Laura Moriarty’s Ultravioleta,” by Earl Jackson, Jr., in Journal of Narrative Theory V51 N3, Ypsilanti MI, 2021
“Dark Light: Paradox & Subversion in Laura Moriarty’s Ultravioleta,” by Brent Cunningham, in A Forest on Many Stems: Essays on the Poet’s Novel, edited by Laynie Browne, New York, NY, Nightboat Books, 2021
“12 or 20 (second series) questions with Laura Moriarty,” by rob mclennan, rob mclennan’s blog, October 4, 2019.
“A Fiction, But at the Same Time it Exists: Talking to Laura Moriarty,” by Andy Fitch, BLARB, 04/06/2018.
“Loy’s Legacies: Laura Moriarty,” by Sarah Hayden, Chapter 14 in Curious Disciplines: Mina Loy and Avant-Garde Artisthood, by Sarah Hayden, University of Mexico Press, 2018
“Review: A Tonalist by Laura Moriarty,” by the editors, Jerry 2, 2011
“Post-Language Poetries and Post-Ableist Poetics,” by Patrick Durgin, Journal of Modern Literature, Indiana University Press, Bloomington, IN, 2009
“Laura Moriarty’s An Air Force,” by Ron Silliman, Silliman’s Blog, Oct. 18, 2007
“Performance and Politics in Contemporary Poetics: Three Recent Titles from Atelos Press,” review of Ultravioleta, by Eric Keenaghan, Postmodern Culture V17N3, Irvine, CA, 2007
“A Semblance: Selected and New Poems 1975-2007,” by Kevin Carollo, Rain Taxi Review of Books V12N4, Minneapolis, MN, 2007
“Everybody Hates Kant: Blakean Formalism and the Symmetries of Laura Moriarty,” by Robert Kaufman, in Reading for Form, University of Washington Press, Seattle, WA, 2006
Self- Destruction, Publisher’s Weekly, 2004
“Laura Moriarty’s Nude Memoir,” by Paul Vangelisti, The New Review of Literature 1, Los Angeles, CA, 2003
“X Marks the Spot: Laura Moriarty’s Nude Memoir and Jena Osman’s The Character,” by Michael Davidson, in boundary 2, Duke University Press, Durham, NC, 2001
“Clean & Well Lit: Tom Raworth / Symmetry: Laura Moriarty,” by Chris Stroffolino, in Spin Cycle: Selected Essays and Reviews (1989-1999), Spuyten Duyvil, New York, NY, 2001
“Bad Timing (A Sequel). Paranoia, Feminism, and Poetry,” by Sianne Ngai, in differences: A journal of Feminist Cultural Studies, Duke University Press, Durham, NC, 2001
“Subjects of Knowledge: Beverly Dahlen, Lori Lubeski and Laura Moriarty Put Gender and Sexuality into Process,” in Poetic epistemologies: Knowledge and gender in women's language-oriented writing by Megan Simpson, University of New Mexico, 1996, Dissertation.
“Duse by Laura Moriarty,” by Ron Day, Jimmy & Lucy’s House of “K”, 1988
“Persia”/ “Sixteen”/ “Code Poems,” by Jackson MacLow, in Women & Language Poetics Journal Number 4, edited by Lyn Hejinian and Barrett Watten, Berkeley, CA, 1984